Guillermo Del Toro has done it again. His reimagined Frankenstein, starring Oscar Isaac, Jacob Elordi, and Mia Goth, is a breathtaking blend of gothic art and emotional storytelling that revives Mary Shelley’s 200-year-old masterpiece with fresh intensity.
Unlike past versions, Del Toro’s Frankenstein doesn’t just focus on horror — it explores the pain of creation, the madness of ambition, and the longing for acceptance.
From the icy depths of the North Pole to the candlelit corners of Victor Frankenstein’s lab, every scene feels like a painting brought to life.
Oscar Isaac gives a powerful performance as Victor Frankenstein, a brilliant but broken man determined to conquer death. His obsession consumes everything around him — his sanity, his relationships, and ultimately, his creation. Meanwhile, Jacob Elordi’s portrayal of the Creature redefines what it means to be a monster. Intelligent, self-aware, and deeply lonely, he becomes a mirror of Victor’s own lost humanity.
Mia Goth shines in dual roles as Victor’s mother and his lover, Elizabeth — a symbol of nature, purity, and forgiveness. Her connection to both men adds a poetic touch, showing that even amidst darkness, love can be redemptive.
Del Toro’s version stands out because it’s not about fear — it’s about feeling. It’s about how pain passes from one generation to another, and how forgiveness can break that cycle. When the Creature whispers, “I forgive you,” it’s not just a line — it’s the heart of the entire film.
Guillermo Del Toro’s Frankenstein is two and a half hours of gothic beauty, emotional depth, and visual brilliance. It’s not just a retelling; it’s a resurrection — one that reminds us that monsters, like humans, only want to be understood.
