Kanye West buries Pete Davidson alive in disturbing new cartoon music video on same day she wins legal battle to be single

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Kanye West buries Pete Davidson alive in disturbing new cartoon music video on same day she wins legal battle to be single

Kanye West took another shot at his estranged wife’s new boyfriend as he buried a Pete Davidson replica alive in a shocking new music video shared on Wednesday afternoon.

The 44-year-old musician gave the world just a peek of what was going on in his mind with the visual component to the song Easy, which he worked on with LA-based rapper, The Game.

His latest video comes hours after Kim Kardashian was declared legally single by a judge and was granted a bid to restore her maiden name in their on-going, bitter divorce, a move Kanye had vehemently opposed and fought against for months.

West raps in the song: ‘God saved me from the crash, just so I can beat Pete Davidson’s ass.’

 

 

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Kanye kidnapped Pete in the video and throws a bag over his head before tying him up and throwing him on the back of an all-terrain vehicle.

The Pete cartoon was then seen tied up in ropes and being dragged through the sand before being buried alive with his head positioned above the dirt.

West’s caricature grabbed a package of rose seeds and poured them over Davidson’s head, before watching the flowers bloom.

He then cut the flowers off Pete’s head and packed them into the back of a pick-up truck resembling the same vehicle he parked outside of Kim’s house on Valentine’s Day.

Kanye ended the clip with a direct message to the Saturday Night Live star: ‘Everyone lived happily ever after, except Skete’ before crossing out the name and writing ‘ you know who.

‘We havin’ the best divorce ever,’ he rapped in the song. ‘If we go to court, we’ll go to court together. Matter of fact, pick up your sis, we’ll go to Kourt’s together. I watched four kids for like five hours today.

‘I wear these Yeezy boots everywhere, even in the shower today. I got love for the nannies, but real family is better. The cameras watch the kids, y’all stop takin’ the credit.’